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‘Superbad’ leads MTV Movie Awards nominees

Wednesday, May 7th, 2008 by admin

LOS ANGELES - “Superbad” has supergood chances of winning a trophy at the MTV Movie Awards.

The buddy comedy starring Michael Cera and Jonah Hill leads the awards ceremony with five nominations in categories such as “Best Comedic Performance” and “Best Movie,” MTV announced Tuesday. Other multiple nominated films included “Juno,” “Enchanted,” “Transformers,” “Pirates of the Caribbean: At World’s End” and “Knocked Up.”

A new category — “Best Summer Movie So Far” — will debut at the annual awards ceremony. Nominees for that category are “Iron Man,” “Indiana Jones and the Kingdom of the Crystal Skull,” “Sex and the City: The Movie,” “Speed Racer” and “The Chronicles of Narnia: Prince Caspian.”

Viewers can vote for all winners online through May 23. They can also submit online movies parodying films from the past year in the user-generated category, “Best Movie Spoof.” The live ceremony will be broadcast on June 1 from the Gibson Amphitheatre in Universal City, Calif.

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On the Net:

MTV Movie Awards:

http://www.movieawards.mtv.com

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K-Fed lawyer: Spears’ expanded visits recognize ‘progress’

Wednesday, May 7th, 2008 by admin

By LINDA DEUTSCH, AP Special Correspondent
LOS ANGELES - Britney Spears will have expanded visits with her sons following a child-custody hearing that went off without a hitch Tuesday, capping a three-month period of relative calm and stability for the troubled pop star and mother of two.

The longer visits are “recognition of the progress that has been made, a progress in structure and stability,” said Mark Vincent Kaplan, lawyer for Spears’ ex-husband Kevin Federline. At a post-hearing press conference, Kaplan said Federline retains custody of 2-year-old Sean Preston and 1-year-old Jayden James, but that Spears would be allowed to see them for longer periods.

Surrounded by lawyers and her parents, Spears smiled slightly, looked straight ahead and did not respond to questions as she left the hearing, which was closed to reporters. Federline left a few minutes later, smiled at everyone, but also did not comment.

“We are so pleased with Britney’s progress and we are very appreciative of the court’s recognition of this progress,” Spears’ parents, Jamie and Lynne Spears, said in a statement read by court spokesman Allan Parachini.

Federline spokesman Elliot Mintz said his client is “extremely pleased with the way things went today.”

Kaplan said one of the major changes is that “there are not daily events” to undermine the situation, and that he expected to see further progress from Spears. He said “the children are doing great,” adding that Federline hopes they will one day have a more constant relationship with their mother.

“Consistently, we’ve said that Kevin’s goal and hope is that his children will have the benefit sometime in the future of having two parents actively participating in their lives,” he said.

A hearing was set for July 15 to get a progress report on the new arrangement.

It was clear from the beginning that Tuesday’s hearing would be different from past courthouse spectacles, which included screaming fans with banners, frenzied paparazzi and Spears dressed in cocktail-party attire. The collection of photographers, reporters, sheriff’s deputies and prospective jurors who witnessed Spears’ arrival in the front of a white Land Rover didn’t compare to the circus at a January hearing, when she showed up in a black minidress and gold platform shoes, then bolted before entering the courtroom.

On Tuesday, a somber Spears entered court wearing a brown polka-dot dress and white sweater. Federline arrived about 15 minutes later in a beige pinstriped suit. Moments after Superior Court Commissioner Scott Gordon swore them in, Spears attorney Stacy Phillips asked that the hearing be closed, and Gordon ordered reporters out.

It’s been three months since Spears left a psychiatric ward a week ahead of schedule and stirred up a paparazzi car chase, a scene that looked like the beginning of even more erratic behavior. But in the weeks that followed, she lay low and largely avoided the cameras, spent time with family members and even found success in a cameo appearance on CBS’ “How I Met Your Mother.”

During that time, the 26-year-old pop star has been under the conservatorship of her father. The court-ordered arrangement put James Spears in control of his daughter’s personal and financial affairs.

Federline has had full custody of his two sons by Spears since January, when police were called to Spears’ home and taken by ambulance to UCLA Medical Center after she refused to relinquish one of the boys to a Federline bodyguard. Her visitation rights were suspended at the time, but have been gradually restored in recent months.

Spears was a constant media presence before the conservatorship took effect. Photographers captured her every visit to Starbucks and gas stations around Los Angeles, and documented a bout of bizarre behavior that included appearing in public without underwear, shaving her own head and beating a car with an umbrella.

Since James Spears took over her affairs, the pop star has been relatively invisible to photographers, only occasionally snapped shopping or having dinner with her mother, Lynne. A traffic accident last month turned out to be a minor bump in which no one was injured, and for which no one was cited.

Spears’ public face has been limited to the “How I Met Your Mother” cameo, which was received well enough that she reprised it during a taping last week. The episode is set to air May 12.

“We’re thrilled to have Britney joining us once again,” series executive producer and co-creator Craig Thomas said in a statement last month. The show’s audience increased by a million viewers the week Spears appeared.

The pop star also made news last month when she took on full-time exercise and nutrition coaches from Bally Total Fitness. Once known for her flawless figure, Spears was widely ridiculed for her flabby form in September during a universally panned performance on the MTV Video Music Awards that was meant to herald her comeback.

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AP writer Sandy Cohen contributed to this story.

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Yet another `American Idol’ hopeful flubs lyrics to a song

Wednesday, May 7th, 2008 by admin

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NEW YORK - “American Idol” hopeful Jason Castro became at least the third contestant this season to flub lyrics to a song.

The Dreadlocked One performed the Bob Dylan classic “Mr. Tambourine Man,” and forgot the words to the second verse Tuesday.

Wearing a goofy grin afterward, Castro acknowledged: “I lost some lines in there; that’s kinda bad.”

Judge Simon Cowell thought Castro’s gaffe could mean the end of him. “Jason, I’d pack your suitcase,” Cowell told the 20-year-old folkster from Rockwall, Texas.

The other two judges were less than impressed, too.

Randy Jackson said Castro wasn’t “in the zone.” Paula Abdul was, as usual, gentler.

Earlier in the night, Castro sang Bob Marley’s “I Shot the Sheriff” and got brutal reviews from Jackson and Cowell.

Castro is not the first “Idol” this season to forget the lyrics.

David Archuleta, who’s still in the running, goofed during a Beatles song and castoff Brooke White forgot the words to Andrew Lloyd Webber’s “You Must Love Me.”

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‘Dancing With the Stars’ eliminates another celebrity

Wednesday, May 7th, 2008 by admin

By DERRIK J. LANG, AP Entertainment Writer
1 hour, 14 minutes ago
 LOS ANGELES - It was the 100th episode of “Dancing with the Stars” — but the last for Mario. The 21-year-old R&B singer and his professional partner, Karina Smirnoff, were eliminated during Tuesday’s results show, which also served as a special celebration of the ABC dancing competition’s 100th episode.

Mario and Smirnoff performed a Viennese waltz and a jive during Monday’s performance show, earning 53 out of 60 points. The judges crowned Mario “a new prince” following his ballroom dance but called his feet “bloody ugly” after his Latin dance. Mario came in third place following the judges’ scores Monday.

Top-scorer Christian De la Fuente dropped partner Cheryl Burke last week when he ruptured a tendon in his biceps. Burke choreographed the couple’s tango and mambo routines this week so that the Chilean actor mostly used his good arm — including the lifts, which were allowed for the first time this round.

De la Fuente, NFL player Jason Taylor, Olympic figure skater Kristi Yamaguchi and Broadway star Marissa Jaret Winokur remain and will compete in next week’s semifinals.

In honor of the popular reality series’ 100th episode, host Tom Bergeron announced there were 100 fans — two from each state — in the audience as well as several former contestants, such as Kelly Monaco, Jane Seymour, Vivica A. Fox, Jerry Springer, Mark Cuban, Drew Lachey, Ian Ziering, Sabrina Ryan and Lisa Rhinna.

Three former contestants returned to the dance floor.

Fourth season winner Apolo Anton Ohno and fifth season runner-up Melanie Brown separately danced with their former professional partners during performances by Rascal Flatts. Third season runner-up Mario Lopez, who’s currently starring in “A Chorus Line” on Broadway, also performed a high-kicking routine with the cast from the musical revival.

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ABC is owned by The Walt Disney Co.

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On the Net:

ABC:

http://abc.go.com/primetime/dancingwiththestars

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Word of Madonna film reaches village of David Banda’s father

Wednesday, May 7th, 2008 by admin

By RAPHAEL TENTHANI, Associated Press Writer
47 minutes ago
BLANTYRE, Malawi - Some 100 miles from Malawi’s capital, the dusty village of Lipunga has no movie theaters or video players, let alone electricity. But villager Yohane Banda has at least heard that Madonna’s new documentary is meant to draw attention to this southern African country’s poverty.

It’s a subject Banda knows well. Poverty forced him to put his son in an orphanage — and now Madonna is on the verge of adopting his son, David Banda, who turns 3 in September.

Banda said David’s mother died when his son was just a month old. He believed that he could not care for him alone and that placing him in an orphanage was his “surest” chance to survive.

“After losing two sons, I really wanted David to survive,” Banda said in a telephone interview Monday.

Two children born earlier had died in childbirth, as did a third baby his second wife bore after David was sent to the orphanage.

Banda, a peasant farmer who ekes out a living growing maize, tomatoes and potatoes, said he used to ride a bicycle to visit his son at the orphanage. When he wasn’t able to go, David’s grandmother would visit.

“It isn’t true that we abandoned him,” Banda said in Chichewa.

Banda said he had originally planned to bring David home when he was old enough to eat solid food. Instead, the pastor who runs the orphanage came to him some two years ago to say a “rich white woman” was interested in adopting David.

“We sat down as a family to consider it. After banging our heads together we thought this was good for David so we readily agreed,” Banda said.

Banda said that when he met the singer and her husband in a Lilongwe court in 2006, when a judge gave the celebrity couple temporary custody of David, he was promised he would be seeing his son occasionally.

The judge is expected to rule on Madonna’s adoption request later this month. Last month, two reports by a Malawian child welfare officer who had visited David in London were released, recounting that David has “bonded well” with Madonna’s family, and recommending the adoption be approved.

When “I Am Because We Are,” the documentary Madonna produced and narrated, premiered at New York’s Tribeca Film Festival last month, an audience member asked the pop diva about the difficulty of adopting children from Malawi.

“It’s a new concept, the concept of adoption, consequently it’s very, very time-consuming,” she said. “I guess if you really want to do it you have to be willing to walk through the fire.”

The film shows poverty and disease devastating the lives of Malawi’s children, and urges people to volunteer. Madonna provides food, education and shelter for Malawian children through her Raising Malawi organization, and first met David while setting up her charity projects here.

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Newly conceived NJ Hall of Fame inducts 15 of its finest

Monday, May 5th, 2008 by admin

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TRENTON, N.J. - Fifteen prominent New Jerseyans were inducted into the state’s new Hall of Fame on Sunday night — even though the actual hall doesn’t exist yet.
Bruce Springsteen, Yogi Berra, Toni Morrison and Gen. Norman Schwarzkopf were among the many honorees on hand for the ceremony at the New Jersey Performing Arts Center in Newark.

The hall is one of many endeavors aimed at improving the reputation of the oft-maligned Garden State, which Springsteen referred to in his acceptance speech.

“Rise up, my fellow New Jerseyans. We are all members of a confused but noble race,” the rocker said. “Even with this wonderful Hall of Fame, we know there’s another bad Jersey joke just around the corner.”

Others attending the red-carpet event included Gov. Jon S. Corzine, Newark Mayor Cory Booker and Tina Sinatra, whose father — the late crooner Frank Sinatra — was among the inductees.

Two inductees, actress Meryl Streep and former U.S. Sen. Bill Bradley, were unable to attend. They have asked that the presentation of their awards be held until they can receive them in person.

The Hall of Fame exists only as a virtual entity now, but officials are raising money to build a permanent museum. The first class was chosen through an online vote after 25 finalists were announced in 2006.

All inductees must have lived in the state for at least five years, though organizers made an exception to that rule for Underground Railroad pioneer Harriet Tubman.
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New Orleans sings praise as Neville Brothers finally reunite

Monday, May 5th, 2008 by admin

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By MARY FOSTER, Associated Press Writer
Sun May 4, 11:06 PM ET
 NEW ORLEANS (AP) — The Neville Brothers, who traditionally help close out the New Orleans Jazz & Heritage Festival, returned to the big stage Sunday for the first time since Hurricane Katrina flooded and wrecked their homes, along with 80 percent of the city.
The brothers — Aaron, Art, Cyril and Charles — performed on the festival’s biggest stage in front of an immense crowd that appeared delighted to have them back.

“This is a family reunion,” festival producer Quint Davis said in introducing them. “This is the family of New Orleans coming together with the first family of our music.”

The delayed return of the group to the festival, bemoaned the past two years by fans, was celebrated as another step toward putting the devastation of the 2005 storm behind the city.

“I’m just happy they’re back; that’s more than I can say,” said Martin Davis, a former New Orleans resident now living in Houston. “I’m back for Jazz Fest, but I don’t know when or if I’ll come back to stay. There are a lot of hard memories for a lot of us now when it comes to our hometown.”

There were also a lot of good ones that the Nevilles wasted no time trotting out. They opened with songs about Mardi Gras and The Wild Tchoupitoulas, a Mardi Gras group that danced onstage with them.

After Aaron Neville sang his hit “Tell It Like It Is,” he told the crowd: “I love you.” He later sang “Amazing Grace” and said, “Joel y’all,” a reference to his wife, Joel Roux-Neville, who died last year.

The show went 30 minutes long before the Nevilles wrapped up with “Big Chief” to extended cheers.

“It was absolutely worth the wait for them,” said Yvette Duperon, 53, a Philadelphia school principal. “I’m going home and play their music for the next month.”

After Katrina, the Nevilles, like most of the city’s residents, were scattered — Aaron in New York, Charles in Boston, Cyril in Austin, Texas.

Aaron is the latest Neville brother to return to the area. He’s buying a house in Covington, La., about 40 miles from New Orleans. Art Neville returned to New Orleans soon after the storm but still isn’t back in his house.

Aaron Neville had worried that the dirt, dust and mold from the city’s debris would aggravate his asthma. In addition, his wife of 49 years died, and her funeral in January 2007 became a sad and brief homecoming.

About 320,000 of the city’s residents have returned since Katrina, city officials said. Before the storm, the city’s population stood at 455,000.

The Jazz Fest itself offered another touchstone of recovery. For the first time since Katrina, the festival returned to a seven-day format stretched over two weekends.

Rain dampened three days of the event and kept crowds smaller than usual, but on Sunday a bright blue sky, low humidity and temperatures in the 70s with a cool breeze helped pack the grounds.

Fans, slick with sunscreen, stretched out in front of stages or set up chairs in the shade of massive oak trees and enjoyed music from groups as diverse as Santana, The Radiators, The Pfister Sisters and Snooks Eaglin.

Irma Thomas, Marva Wright and Raychell Richard performed a tribute to Mahalia Jackson in a packed Gospel Tent that drew so many people the announcer had to threaten to stop the show if fans did not clear the aisles.

Jackson, an influential gospel singer, recorded about 30 albums and was the first singer of her genre to perform at New York’s Carnegie Hall. She died in 1972.

George Wein, who founded the New Orleans Jazz Fest and the Newport Jazz Festival, had Jackson perform in both events.

“She was wonderful, very moving when she sang,” Wein said Sunday after watching the tribute.
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Marvel turns `Iron Man’ into gold with $100M-plus debut

Monday, May 5th, 2008 by admin

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By DAVID GERMAIN, AP Movie Writer
2 hours, 6 minutes ago

 
LOS ANGELES - “Iron Man” was pure gold at the box office. The Marvel Comics adaptation, starring Robert Downey Jr. as the guy in the metal suit, hauled in $100.7 million during its opening weekend and $104.2 million since debuting Thursday night, the second-best premiere ever for a nonsequel, according to studio estimates Sunday.
The film also scored overseas with $96.7 million in 57 countries where it began opening Wednesday, putting its worldwide total at $201 million.

The movie, distributed by Paramount, is the first release by Marvel Studios, which has begun financing its own productions after such studio-backed hits as the “Spider-Man,” “X-Men” and “Fantastic Four” flicks.

“We could not have hoped for a better way for Marvel Studios to blast off,” said David Maisel, chairman of the unit, a division of Marvel Entertainment, which stands to pull in a greater share of box office receipts and merchandising money by financing movies itself.

Debuting in second place with $15.5 million was Sony’s romantic comedy “Made of Honor,” starring “Grey’s Anatomy” heartthrob Patrick Dempsey as a man who tries to woo his best pal after she asks him to be “maid of honor” at her wedding.

“Iron Man,” which won rave reviews from many critics, features Downey as billionaire arms designer Tony Stark, a boozy womanizer who builds a high-tech suit and becomes a superhero, mending his ways after he’s taken captive and sees firsthand the devastation his weapons cause.

The film is directed by Jon Favreau, and also stars Gwyneth Paltrow, Jeff Bridges and Terrence Howard.

Despite the huge “Iron Man” opening, Hollywood’s overall business was down compared to the same weekend last year, when “Spider-Man 3″ had a record debut of $151.1 million. The top 12 movies took in $154.1 million, off 15 percent from a year ago.

“Nonetheless, `Iron Man’ did better than expected,” said Paul Dergarabedian, president of box office tracker Media By Numbers. “This is certainly the shot in the arm the marketplace has needed.”

Movie attendance this year is running 6 percent behind that of 2007, so the arrival of “Iron Man” may jump start the box office as the busy summer season begins.

“If that first May movie is a big hit, it tends to lead to a big summer,” said Rob Moore, Paramount vice chairman. “There hadn’t been a big event movie yet this year. So you have the first event movie of summer, and people go `And I hear it’s really good. All right, I’m in.’”

“Iron Man” was the 10th biggest opening of all time and the fourth biggest for a superhero movie. Among nonsequels, it came in behind only the first “Spider-Man,” which premiered with $114.8 million.

“If we have to, we’re happy to come in second to another Marvel property,” Maisel said. “It emphasizes how lucky we are to have such a powerful brand that’s not loved by just comic book fans but also general movie fans.”

The next Marvel production arrives in June with “The Incredible Hulk,” distributed by Universal and starring Edward Norton.

In limited release, David Mamet’s martial-arts drama “Redbelt” opened solidly with $68,646 in six theaters. Released by Sony Pictures Classics, “Redbelt” stars Chiwetel Ejiofor as an honorable instructor caught up in corruption in the world of mixed martial-arts competitions.

Paramount Vantage’s “Son of Rambow,” a comic tale of two British boys making their own “Rambo” movie, also opened well with $52,549 in five theaters.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.

1. “Iron Man,” $100.7 million.

2. “Made of Honor,” $15.5 million.

3. “Baby Mama,” $10.3 million.

4. “Forgetting Sarah Marshall,” $6.1 million.

5. “Harold & Kumar Escape From Guantanamo Bay,” $6 million.

6. “The Forbidden Kingdom,” $4.2 million.

7. “Nim’s Island,” $2.8 million.

8. “Prom Night,” $2.5 million.

9. “21,” $2.1 million.

10. “88 Minutes,” $1.6 million.

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On the Net:

http://www.mediabynumbers.com

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Universal Pictures, Focus Features and Rogue Pictures are owned by NBC Universal, a unit of General Electric Co.; Sony Pictures, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; DreamWorks, Paramount and Paramount Vantage are divisions of Viacom Inc.; Disney’s parent is The Walt Disney Co.; Miramax is a division of The Walt Disney Co.; 20th Century Fox, Fox Searchlight Pictures and Fox Atomic are owned by News Corp.; Warner Bros., New Line, Warner Independent and Picturehouse are units of Time Warner Inc.; MGM is owned by a consortium of Providence Equity Partners, Texas Pacific Group, Sony Corp., Comcast Corp., DLJ Merchant Banking Partners and Quadrangle Group; Lionsgate is owned by Lionsgate Entertainment Corp.; IFC Films is owned by Rainbow Media Holdings, a subsidiary of Cablevision Systems Corp.
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Barbara Walters puts life on display with book `Audition’

Monday, May 5th, 2008 by admin

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By FRAZIER MOORE, AP Television Writer
Mon May 5, 5:28 AM ET
 
NEW YORK - No one doubts she’s hard-driving. But she has never learned to drive, Barbara Walters reveals in her new memoir, “Audition.”
 
She also discloses that she looks better on camera when shot from the left — advice she got from Sir Laurence Olivier when interviewing him in 1980.

And she allots six pages from the book’s 612 for a startling confession: Her “long and rocky affair” in the 1970s with politician who was married and — further upping the ante — an African American. This covert romance between U.S. Senator Edward Brooke and Walters, then co-host of NBC’s “Today” show, made headlines (and raised eyebrows) when it was leaked last week.

“I think it surprises people because it’s me,” said Walters during an interview Friday in her lustrous corner office at ABC News. “I know people see me as” — she paused, searching for the right word — “a little stern, or a little priggish.

“It WAS 30 years ago,” said the 78-year-old TV legend, “and it was a big part of my life at the time. I thought in the beginning that he was exciting and brilliant, and I didn’t expect it to progress. But when it did, that’s when I got scared and said, ‘You’re a married man, I must break this off.’ And he went home and asked for a divorce.

“I knew it was something that could have destroyed my career. And, since I’m always talking about feeling guilty: I don’t THINK I destroyed his career, but, for whatever reasons, he did not get re-elected.” In his bid for a third term, the Massachusetts Republican was voted out in 1978. “He was a superb senator.”

Despite this steamy tidbit, “Audition” doesn’t kiss and tell. Readers who hope it unearths mounds of celebrity dirt should be advised: It isn’t a tell-all. No settling scores: “I have no one to get even with,” insisted Walters.

Her display of equanimity includes Rosie O’Donnell, a panelist last season on Walters’ weekday ABC chat show, “The View,” who routinely picked fights with her fellow panelists and the world beyond.

“We had our ups and downs,” Walters said, “but I have enormous affection for Rosie, and I think she’s a great talent.”

Walters also pardons Harry Reasoner, who sabotaged the experiment that, in 1976, brought her to ABC as the first female co-anchor of the evening news.

“Harry didn’t want a partner,” Walters recalled. “Even though he was awful to me, I don’t think he disliked me.”

How could she be so forgiving?

“I may not be a very good interviewer anymore,” she replied, deadpan. “I’ve gotten very mellow.”

The final part of “Audition” addresses Walters’ resurrection at ABC News as co-anchor of the “20/20″ newsmagazine, where, for a quarter-century, she interviewed nearly every public figure worth interviewing — unless she happened to be talking to them for her “Barbara Walters Specials.”

She has always felt at home plying notables with questions.

“I’m not afraid when I’m interviewing,” Walters said. “I have no fear! … In my private life, I’m much more coulda-shoulda-woulda. Including when I was writing this book.”

Even so, “Audition” — Walters’ first book in 38 years — does what an autobiography should: charts her remarkable life, her relationships (three marriages among them) and career, while also striving to make sense of that life, and herself.

“The book makes me feel very exposed,” she said. “But I’ll get used to it.”

Her account of her formative years lays to rest any notion that Walters, whose father was the noted nightclub impresario Lou Walters, was raised in New York cafe society. Her father made and lost fortunes in a dizzying cycle that taught her success was always at risk of being snatched away, and could neither be trusted nor enjoyed.

“That’s why the book is called `Audition,’” Walters said. “I always felt I need to prove myself, over and over.”

Growing up, she found her insecurity was made all the worse by her older sister, Jackie, who was mentally disabled. In that less enlightened era, Jackie’s condition had a spillover effect on Barbara, stigmatizing both of them in the eyes of other kids.

“It was a lonely, isolated childhood,” Walters said.

The complicated feelings that churned long after her sister’s death in 1985 inspired “Audition.”

In fall 2004, when Walters retired from “20/20,” she was thrilled at the prospect of having time “to take Spanish lessons and go to museums. And then I thought, `Am I going to get very depressed? “20/20″ was a big part of my life.’”

She decided to write a book about her childhood and her sister — just a little book. But after prodding from her publisher, her scope kept expanding. And then she signed a new contract with ABC News to continue her quarterly interview specials. Not much time left for museums.

“For the past three years, all summer long, I was writing this damn book — although when I was writing it, I said more than `damn.’”

Then came revisions and proofreading. And now publicity, including her visit Tuesday to “The Oprah Winfrey Show,” and an hour special on ABC, “Audition: Barbara Walters’ Journey,” airing Wednesday at 10 p.m. EDT.

Walters summed up this journey: “I never would have done a book, had I known!”

It was particularly hard to write the chapter about her sister, Walters said — “going back and examining the guilt that I felt about how she was always so very loving, even while I was resenting her.”

Harder still for Walters was the chapter on her daughter, also named Jackie, whose troubled adolescence led to serious drug abuse.

“That was the chapter I was not going to put in. I didn’t think it was necessary. But Jackie felt that if parents saw we went through it and survived, it might give them hope.” Now living in Maine, Jackie Danforth runs a residential therapy intervention program for girls.

Also difficult for Walters was revisiting those first years at ABC News, a period that seemed to mark the end of everything she’d worked for.

“I thought it was all over: `How stupid of me ever to have left NBC!’”

But salvation arrived in the form of a new boss, ABC News president Roone Arledge.

“I don’t know what would have happened if Roone hadn’t come in and sent Harry back to CBS, where he was much happier. Roone could’ve said, `We’ll pay her off. We’ll keep Harry. We know him.’ Instead, he said, `We’ll take a chance on her.’”

Since then, Walters has lived a life that, when she takes a moment to consider it, amazes her. But during her interview, she looked ahead cheerfully. She even spoke of making a clean break from ABC (including “The View”), maybe in the not-too-distant future.

“And I do think about death,” she added, though not in any way that bums her out. “I’m a very optimistic person. And I’m VERY healthy, knock glass,” she said, rapping her glass-top desk.

This talk of mortality reminded her of the zany Broadway hit “Spamalot,” based on a Monty Python film.

“You know the scene where they’re collecting dead bodies during a plague, and there’s a guy they keep throwing in the heap, and he keeps saying ‘I’m not dead yet’? Then they bash him on the head, and he gets up again and says, ‘I’m not dead yet!’”

Barbara Walters smiled and said, “He’s my hero.”
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Indy walks back through our door as `Crystal Skull’ nears

Monday, May 5th, 2008 by admin

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By DAVID GERMAIN, AP Movie Writer
22 minutes ago
 LOS ANGELES - Marion Ravenwood might have been speaking for us all when she set eyes on Indiana Jones for the first time in years.
Her caustic greeting to the archaeologist-adventurer in 1981’s “Raiders of the Lost Ark”: “Indiana Jones. I always knew someday you’d come walking back through my door.”

It’s been 19 years since Indy literally rode off into the sunset in “Indiana Jones and the Last Crusade,” but like Marion, could anyone doubt that the world’s most famous tomb raider would come back into our lives one day?

For 27 years, Indy has stood as one of cinema’s ultimate Everyman heroes, a poster boy for the idea that there are some good men you can never, ever keep down.

“He’s a real guy. He’s just like us,” said George Lucas, who dreamed up the character and re-teams with director Steven Spielberg and Harrison Ford as Indy for “Indiana Jones and the Kingdom of the Crystal Skull,” due out May 22.

“He makes lots of mistakes,” Lucas said. “He kind of goofs up. He has the same kind of thinking that we have. He’s beat up all the time. It’s like he’s not a superhero. He’s just an average Joe that’s always in over his head that somehow seems to get through it.”

The new movie co-stars Cate Blanchett as Irina Spalko, a Russian operative with crisp black bangs who’s after the Crystal Skull of Akator, an ancient artifact that could help the Soviet Union dominate the world.

Ray Winstone plays a new Indy ally, and the film also co-stars John Hurt and Jim Broadbent.

“Raiders” fans are thrilled over the return of Karen Allen as Marion, while Shia LaBeouf plays Indy’s new sidekick, Mutt Williams.

An early press kit for “Crystal Skull” describes Mutt as a “rebellious 20-year-old with a chip on his shoulder and some personal business to discuss with Dr. Jones.” Fans have speculated that Mutt is the love child of Indy and Marion, though the filmmakers won’t say.

Resurrecting Indy took more than a decade of debate, disagreement and compromise among the film’s three principals, Spielberg and Ford disliking a way-out-there initial idea Lucas had.

“It was the three of us, Steven, George and I, coming to agreement on the central notion of it all,” Ford said. “I think the original idea is still a large piece of it in the movie, but it’s been developed and worked on in ways that made it a lot more palatable to Steven and I.”

Though the filmmakers have been tightlipped on the plot, the era — 1957 instead of the 1930s — and the trailer’s image of a crate marked “Roswell, New Mexico, 1947,” imply aliens are involved. Roswell is where UFO buffs claim an alien spaceship crashed in 1947.

Just as the first three Indy flicks were inspired by the supernatural B-movies of the 1930s, Lucas conceded he took his cue for the new film from the equivalent of the 1950s, when B-movies centered on extraterrestrial menace.

Just how far “Crystal Skull” might venture into “E.T.” territory remains to be seen, though it clearly was not as far as Lucas wanted.

“The MacGuffin of it slowed down a little bit from what my original enthusiastic version was. Again, that’s the way it works with Steven and Harrison and I,” Lucas said. “We’re not going to do anything anyone’s uncomfortable with. We want to do something everybody likes, we in the group, the three of us.

“They wanted to go off on some other tangent. I said, `I’m not going to do that. I’m going to stick with this no matter what, so we either do this or we don’t. That’s it.’ Finally, we got something that we could all compromise on and all be happy with. It wasn’t quite as wacky as I wanted it to be, but it still is subtle and nice and works really well and has the same idea behind it.”

Likewise, “Crystal Skull” has the same idea behind the action, presented in the Indy-making-it-up-as-he-goes-along style of the earlier films rather than the glossy computer-generated imagery that makes most of today’s action spectacles look as slick as a video game.

“We did it sort of old-school-style,” Ford said. “Certainly, there is a fair amount of CGI that will be used, enhancing a lot of what we did, but generally not in the action area. It will enhance some of the physical sets. In the action area, it was pretty much done for real.”

The filmmakers are keeping the movie under tight wraps until its premiere at the Cannes Film Festival just four days before it opens in theaters.

But members of Indy’s inner circle have seen it, among them Sean Patrick Flanery, who played the character in the 1990s TV adventures of “Young Indiana Jones.”

“It’s the same vibe, the same feel. They didn’t miss a beat,” Flanery said of “Crystal Skull.” “People are going to love it. It’s what everybody’s been waiting for.”

Fan buzz online has been intense. On IMDB.com, the Internet Movie Database, a post from a user called zac2347 chides fans for claiming “Crystal Skull” is the summer’s most-anticipated movie, insisting it “looks like a rehash of the same stuff” and that the three trailers for “The Dark Knight” have elevated that Batman sequel above Indy.

Responds another poster, indyjones32: “Three trailers vs. 20 years of wait, disappointment and build-up. My money is on the 20 years.”

“Raiders,” “Indiana Jones and the Temple of Doom” and “Last Crusade” presented a rich warehouse of detail to define the character, from his fedora hat and whip to his snake phobia and bookish classroom demeanor.

His quips were wonderfully quotable: “Trust me” … “It’s not the years, honey, it’s the mileage” … “Nazis. I hate these guys” — and, informing passengers after tossing a Nazi out of a zeppelin, “No ticket.”

“Raiders” was nominated for eight Academy Awards, including best picture, director and score, whose fanfare is one of the world’s best-known pieces of music.

Indy placed second on the American Film Institute’s list of movie heroes, ahead of James Bond, Superman and Ford’s “Star Wars” character, Han Solo. The only man to beat him was Atticus Finch of “To Kill a Mockingbird.”

While all three films had wild action and memorable exchanges, “Raiders” has stood as the critical favorite.

“Like all megahits, you look back and see that every element was perfect,” said director Rob Cohen, who resurrects another archaeological-adventure franchise this summer with “The Mummy: Tomb of the Dragon Emperor.”

“Harrison is an A actor in a B-movie setup, and Spielberg is an A-plus-plus-plus director taking on the Saturday morning serial. So you get a humanity and sophistication that you wouldn’t get if you did the cardboard version,” said Cohen, who added that he introduced Spielberg to Allen, the future Marion Ravenwood, on a double date in 1980.

Lucas went through years of grousing and second-guessing by fans who picked apart his “Star Wars” prequels. He expects the same on “Crystal Skull,” saying it’s impossible to satisfy hardcore fans.

“Whenever you do a film like this, people expect the Second Coming, and that’s not what it is. So fans all get grumpy, the critics are already grumpy,” Lucas said. “If you’re going to say, `I’m going to get my Academy Award this year and finally I’m going to be loved by all the critics, and the fans are just going to go crazy’ — not going to happen.”

“So you only do it because it’s a fun experience to do, and we love the movies,” Lucas said. “We’re doing it primarily because we want to see it. I want to see it, Steven wants to see it, Harrison wants to see it.”

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